Artist Wayne Thiebaud, whose luscious, colourful paintings of cakes and San Francisco cityscapes combined sensuousness, nostalgia and a hint of melancholy, has died. He was 101.
His death was confirmed in a statement Sunday by his gallery, Acquavella.
“Even at 101 years old, he still spent most days in the studio, driven by, as he described with his characteristic humility, ‘this almost neurotic fixation of trying to learn to paint,”‘ the gallery’s statement said.
We join the art world in mourning the loss of dear friend and esteemed artist Wayne Thiebaud. <a href=”https://t.co/ZyhPM1aShS”>pic.twitter.com/ZyhPM1aShS</a>
The dean of California painters, Thiebaud drew upon his earlier career as a Disney animator, sign painter and commercial artist.
While some took his hot dogs, bakery counters, gum ball machines and candy apples to be examples of pop art, Thiebaud never considered himself to be in the mould of Andy Warhol, and he did not treat his subjects with the irony the pop movement championed.
“Of course, you’re thankful when anyone ever calls you anything,” he once said. “But I never felt much a part of it. I must say I never really liked pop art very much.”
Artist ‘reanimated the tired old genre of still life painting’
The real subject, many critics said, was paint and the act of painting itself: the shimmering colour and sensuous texture of the thickly applied paint.
The ice cream never melts, the cakes are fresh out of the oven, and the world is bathing in light. The day is young, but there are shadows creeping in. RIP, the great Wayne Thiebaud. <a href=”https://t.co/myEO4KYKav”>pic.twitter.com/myEO4KYKav</a>
He laid on the paint so heavily that he often carved his signature into the painting instead of putting it on with the brush. Many of his painted images were outlined in neon pinks and blues that made the objects appear to glow. Shadows were often a rich blue.
Most people go in for the cakes, but my favorite Wayne Thiebaud painting is Cup of Coffee. Look at this coloring, what a miracle. What he called being able to “see the edges of the edges” <a href=”https://t.co/cNz7AQnDsK”>pic.twitter.com/cNz7AQnDsK</a>
In 2004, a New York Times writer praised his “wry vision of modern consumerism” and said, “No one did more to reanimate the tired old genre of still life painting in the last half century than did Mr. Thiebaud with his paintings of industrially regimented food products.”
Thiebaud told PBS NewsHour he preferred calling himself a painter, rather than an artist, because “it’s like a priest referring to himself as a saint. Maybe it’s a little too early or he’s not the one to decide that … Being an artist I think is a very rare thing.”
Known for cityscape paintings of San Francisco
In landscape, his most famous subject was the city of San Francisco, whose steep hills he portrayed in a fantasy-like way, with spectacular angles and stark shadows.
From stints at <a href=”https://twitter.com/SJSU?ref_src=twsrc%5Etfw”>@SJSU</a>, <a href=”https://twitter.com/sacstate?ref_src=twsrc%5Etfw”>@sacstate</a>, <a href=”https://twitter.com/SacCityCollege?ref_src=twsrc%5Etfw”>@SacCityCollege</a>, & 40yrs at <a href=”https://twitter.com/ucdavis?ref_src=twsrc%5Etfw”>@ucdavis</a> (oddly not mentioned in the obit), Wayne Thiebaud was a California public school figure through and through. <a href=”https://t.co/biVAuIlbw4″>https://t.co/biVAuIlbw4</a> <br><br>Thiebaud, San Francisco West Side Ridge, 2001. Oil on canvas. <a href=”https://twitter.com/americanart?ref_src=twsrc%5Etfw”>@americanart</a> <a href=”https://t.co/DnNLZj3vPm”>pic.twitter.com/DnNLZj3vPm</a>
“Originally, I painted right on the streets, trying to get some of the kind of drama I felt about the city and its vertiginous (dizzying) character,” he told NewsHour.
“But that didn’t seem to work … The reality was one thing but the fantasy or the exploration of it was another.”
Thiebaud was born in Mesa, Ariz., in 1920 and grew up in Sacramento, Calif. He started out as an animator for Walt Disney and later worked as a poster designer and commercial artist in California and New York before becoming a painter.
He also was a longtime professor at the University of California, Davis. He officially retired in 1991 but continued teaching one class a year.